MASSACRE DESTINY

The Ultimate Logic of a Society Built on Mass Murder

By  Glen Ford/ Black Agenda Radio / December 18, 2012

 

lynching_0

Mass murder is at the core of the American national religion.”

 As a native-born American, I grew up watching cowboy and Indian shoot-em-ups in which the highlight of the movie was when the white guys in the circled wagon train shot the Indians off their horses until all the red men were dead, and very silent. Indians didn’t do a lot of screaming in pain when they were shot; they just expired. Same thing with buck-toothed Japanese, line after line of them, charging into U.S. machine guns, falling instantly silent and dead. It was somehow quite clean, almost antiseptic, these cinematic rituals of death, all staged for the broadest popular consumption to demonstrate the inevitability – and cosmic justice – of ultimate white victory over the darker races.

 The modern mass American murder is overwhelmingly a white phenomenon.”

U.S. foreign policy reflects the nation’s origins and ghastly evolution into a globe-strutting mob, that empowers itself to kill at will. A million dead Filipinos at the turn of the 20th century; aerial bombing of Haitian villages less than a generation later; the totally unwarranted nuclear annihilation of two cities at the very end of World War Two; two million dead Koreans shortly thereafter; three million dead Vietnamese in the next decade,; and, since 1996, six million Congolese – all, and many, many more, slaughtered in the name of U.S. civilizational superiority – the ghastly opiate of the white American masses.

What kind of human beings does such a culture produce? To paraphrase the Bible, “By their massacres, ye shall know them.” The modern mass American murder is overwhelmingly a white phenomenon. Yet few whites ask the question, “What’s wrong with white America?” It is seems that white America lacks the capacity for self-examination. It cannot grasp the simple truth, that a culture that celebrates the annihilation of whole peoples, casually and without guilt or introspection, is devoid of human values at its very core. In the end, it turns against itself.

That is the simple lesson of Newtown, and Columbine, and Aurora. The same cultural deformity creates a huge market for games like the very popular Assassin’s Creed [8], whose latest version integrates individual and group murder with events of the American Revolutionary War. American kids can simulate mass murder all day long, and feel patriotic and smart while doing it. Assassin’s Creed features an inter-racial cast of killers – possibly in deference to the brown guy in the White House who owns the ultimate Kill List. It’s the modern equivalent of the cowboys and Indians movies of my youth. The same sickness.

 Boldface added by BPR Editor
This entry was posted in foreign policy, history, military, philosophy, race, Terrorism, war and tagged , , , , , , , , . Bookmark the permalink.

2 Responses to MASSACRE DESTINY

  1. I think it fair to say that gun violence is a multi-faceted problem with no easy one-size-fits-all answer. The factors you mention and many more have brought us to this point and our culture of violence won’t be disappearing anytime soon.

  2. Seb says:

    If we follow your logic, most European countries would also suffer from the same malaise, wouldn’t they? I’m sure the colonial empires did not care much for their conquered natives. Canadians also love violent video games and have less than half the number of firearm-related deaths.

    I’ll agree with you that an important factor may very well be the United States’ foreign policies. If your government acts as a violent bully, you can expect that some of its people will do the same. You’ll never hear a politician say that however so… let’s ban automatic weapons! That should do it.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s